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Starred review from June 5, 2023
Poet Sinclair (Cannibal) recounts her harrowing upbringing in Jamaica in this bruising memoir. Forbidden by her militant Rastafarian father from talking to friends or wearing pants or jewelry, Sinclair and her sisters were subject to his unpredictable whims and rage. After her mother gifted 10-year-old Sinclair a book of poems, she turned to writing poetry, drawn to the medium’s structure and emotive capabilities: “In the chaos of our rented house, the poem was order.” With the help of scholarships, she attended a prestigious private school in Jamaica to study poetry, and eventually left for college in America (the proverbial “Babylon” of the title, and the main target of her father’s rage), where she funneled her conflicted feelings about the move into her work: “I try to write the ache into something tangible.” In dazzling prose (“There was no one and nothing ahead of me now but the unending waves, the sky outpouring its wide expanse of horizon, and all this beckoning blue”), she examines the traumas of her childhood against the backdrop of her new life as a poet in Babylon, declining to vilify her father even as she questions whether a relationship with him might be salvageable. Readers will be drawn to Sinclair’s strength and swept away by her tale of triumph over oppression. This is a tour de force. Agent: Janet Silver, Aevitas Creative Management.
Starred review from June 10, 2024
Poet Sinclair (Cannibal) recounts her journey from her strictly traditional Rastafarian background toward a new life in the United States. She begins her story by describing her parents' efforts to overcome barriers in Jamaica, though they ultimately put different barriers before their children. She hauntingly describes her father's hatred and fear of Western influences--the Babylon of the title--which was the bogeyman of her youth, invoked to justify restraints on women's individuality and freedom. Sinclair's skills as a poet are on full display, offering prose that sings, rages, and soothes in equal turns. Narrating her own memoir, Sinclair speaks with a light Jamaican accent and adopts her parents' more rhythmic accents when required. Listeners will be rapt, hanging on her every word as she brings her memories vividly to life. Sinclair writes a highly personal coming-of-age story, but it's also a commentary on generational trauma, patriarchal injustices, and Rastafarianism's rejection of colonization. This work is a testament to her mother's love and educational prowess, as well as Sinclair's own lion heart. VERDICT This book is an audible joy and will have wide appeal to memoir readers.--Laura Stein
Copyright 2024 Library Journal, LLC Used with permission.
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